Toluwanisings songs will continue to offer gospel music lovers a way to remember Olayemi Bayonile Bolaji, the Nigerian gospel singer whose voice touched many hearts.
For many gospel music lovers, Olayemi Bayonile Bolaji, popularly known as Toluwanisings, was one of those voices.
The Nigerian gospel singer died on October 14, 2026, at the age of 41, leaving family, colleagues and fans mourning his passing. His family confirmed the news, describing him as a beloved husband, family member and gospel minister. 
Yet, as tributes pour in, there is something his listeners can still hold on to: his music.
For those who found joy, encouragement and spiritual connection in his songs, revisiting his catalogue offers an opportunity to remember the singer beyond the heartbreaking news of his death.
From energetic praise numbers to songs centred on faith and devotion, Toluwanisings songs reflected his Yoruba-rooted gospel sound and his commitment to sharing his Christian faith through music.
Here are 10 songs to revisit as we remember the late gospel minister and the music he leaves behind.
1. Kabiyesi Olorun Ayo
The title itself evokes reverence for God, drawing on the Yoruba expression of honour and majesty. It reflects the rich cultural language that helped distinguish Toluwanisings’ musical identity.
For listeners who appreciate gospel music that brings indigenous expressions into worship, this song is a reminder of how language and faith can come together to create something deeply familiar.
2. A Very Big God
There is something reassuring about a song whose central declaration is that God is bigger than the challenges life presents.
A Very Big God stands among the recordings associated with Toluwanisings’ catalogue. Its message of divine greatness offers listeners a familiar theme to return to during seasons of uncertainty, gratitude and reflection.
In the wake of his death, the title may carry an especially poignant meaning for those turning to their faith for comfort.
3. E Lagbara
Featuring Apekeola, E Lagbara is another recording in Toluwanisings’ gospel catalogue.
Its title draws attention to strength and power, themes that have long occupied an important place in gospel music. The collaboration also reflects the communal character of gospel expression, where different voices can come together in praise.
For listeners revisiting his work, it offers another glimpse into the sound and collaborations that shaped his musical journey.
READ ALSO: Toluwanisings’ Last Appearance: Fans and Colleagues Revisit His Final Moments
4. Emimimo Ese
The title Emimimo Ese adds another Yoruba-language expression to the collection of songs associated with the singer.
Yoruba gospel music has a rich tradition of using indigenous language to communicate devotion, gratitude and reverence. Toluwanisings’ repertoire formed part of this continuing tradition, bringing cultural familiarity into contemporary gospel recordings.
For listeners who connect deeply with worship in their mother tongue, songs such as this can offer a particularly personal experience.
5. Owo Re Meji Meji
With a title that evokes the idea of abundance or receiving blessings, Owo Re Meji Meji belongs among the songs worth revisiting.
Celebration is an important part of gospel music. Beyond quiet moments of prayer, praise can also provide space for gratitude, dancing and the expression of hope.
This recording offers another opportunity to remember the celebratory side of Toluwanisings’ musical identity.
6. Onibuore
Onibuore is another title in the singer’s catalogue that invites reflection on faith and devotion.
Gospel music often gives listeners a way to articulate feelings that are difficult to express in ordinary conversation. Whether someone is offering thanks, seeking reassurance or simply spending time in worship, a familiar song can become part of that personal experience.
It is one more reason his recordings remain worth exploring as fans revisit the music he created.
7. Motun Ti De
The title Motun Ti De suggests the idea of arriving or coming again. It brings a different expression into this collection of recordings.
As with many gospel songs, its appeal to individual listeners may depend on the memories, spiritual experiences and personal associations they bring to it.
For some, returning to a favourite recording after an artist’s death can feel like reconnecting with a familiar presence. The song remains available even when the person who sang it is no longer here.
8. Ase Ti Jade
Ase Ti Jade adds another energetic-sounding title to the list of songs associated with Toluwanisings.
His broader musical identity was rooted in praise and worship, drawing on Yoruba gospel traditions alongside contemporary sounds. This combination helped give his recordings a recognisable place within Nigerian gospel music.
Revisiting songs like this also allows listeners to celebrate the musical expression itself, rather than allowing the circumstances of his death to become the only story remembered about him.
9. Olorun Awon Baba Wa
The title Olorun Awon Baba Wa invokes the idea of the God of our forefathers, connecting faith with heritage and generations of belief.
That connection is particularly meaningful in a musical tradition where worship is often passed down through families, congregations and communities.
Through indigenous language and familiar religious expressions, gospel music can help listeners feel connected to something larger than themselves. This song offers another example of the cultural and spiritual themes found in Toluwanisings’ repertoire.
10. Eniyan
We end this remembrance with Eniyan, a title that brings the human experience into focus.
There is an unmistakable sadness in revisiting an artist’s work immediately after his death. Songs that once played in the background can suddenly feel different. A familiar voice may bring memories flooding back, while a line that once seemed ordinary can take on a new meaning.
That is part of the relationship between music and memory: its significance can continue to evolve long after a recording is released.
A voice that lives on through music
Toluwanisings’ death has left a painful void for those who knew him personally and the listeners who connected with his ministry through his recordings.
However, his story should not end with the announcement of his passing. It should also include the songs he created, the musical traditions he embraced and the moments of worship his work helped make possible.
For some listeners, remembering him may mean playing A Very Big God again. For others, it may mean returning to E Lagbara, Kabiyesi Olorun Ayo or another favourite from his catalogue.
Ultimately, a list of ten songs cannot capture every life touched by a musician. Nor can it measure the full meaning of his work to individual listeners.
What it can do is offer a starting point: an invitation to listen again, remember and celebrate a gospel minister whose music remains part of his story.
May his family, friends, colleagues and fans find comfort in this difficult time. And may the songs of Toluwanisings continue to bring encouragement and meaning to those who hear them.
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